However flawed and misleading this article is, it deals only with one application of lens shift.
Tiltshift socal code#
Make sure to save 15% by using code "ARTICLE" at checkout. His techniques will help take your images to a professional level. Mike is a world class teacher and one of the most well known architectural photographers out there. If you'd like to shoot better real estate and architecture, consider checking out Mike Kelley's architectural photography tutorials. Your camera settings will also impact the scene, as in any photo, with a narrower aperture providing a longer depth of field, and if a long shutter speed is used then you'll want to use a tripod to avoid camera shake. You just need to compose your scene, level everything up, and get the focus nailed while shifting the lens to correct for the distortion. Notice how the building can lean even further away if the wrong shift is appliedĪs you can see using a tilt-shift lens to correct the converging lines on a building for architectural photography is actually pretty simple. Move the slider in the before/after below to see how a quick shift from the lens can correct the problem. However, their optics are incredible and the Nikon 45mm f/2.8D tilt-shift lens I'm using is insanely sharp and built like a tank.
Tiltshift socal manual#
Sadly though, tilt-shift lenses are manual focus and fixed focal length (at the time of writing) and are quite expensive. If you're an architectural photographer, or want to get into it, a tilt-shift lens might be your next best purchase. It's also possible to correct this in editing software, but getting it right at the source is usually the best approach. It appears to make one half of the frame wider and thereby straightens the converging lines (also known as the parallax effect or parallax distortion). To counteract this we can use a tilt-shift lens that literally shifts the glass inside the lens to correct for this distortion. This effect is more exaggerated when shooting on a wide-angle lens and particularly when you're shooting close to the subject. If you're on the ground floor and the building is much taller than you, then the top part is farther away and therefore appears to converge into a central point.
Why does this happen? Well, it's all to do with height. When shooting architecture, especially when you need to get up close to the building from the ground, you'll notice that the buildings all mysteriously seem to be leaning back away from you in the photos.
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